Subsequent features include the suburban witchcraft tale Season of the Witch (1972), paranoia/contagion chiller The Crazies (1973), the remarkable modern vampire tale Martin (1978 - my own personal favourite), cult oddity Knightriders (1981) - which he regarded as his most personal film, the EC comic-style anthology Creepshow (1982) on which he collaborated with fellow Horror legend Stephen King, suspense tale Monkey Shines (1988) and the revenge thriller Bruiser (2000).
His career had many setbacks. He had a fraught relationship with Hollywood studios over unrealised projects - including a Poe adaptation with Isabella Rossellini and rejected scripts for new versions of The Mummy and Resident Evil that would be eventually made by other hands. There was a long period of inactivity during the 1990s where he spent most of the decade in development Hell and would only make one feature (1993's The Dark Half) which created a frustrating gap in his filmography. Despite his fondness for the genre and his cult following he was never able to escape his being typecast as a 'Horror director', to his occasional frustration. His last 3 films (Land of the Dead (2005), Diary of the Dead (2007) and Survival of the Dead (2009)) were all returns to the zombie series that made his reputation. They allowed him the free-reign and creative control that he fought hard to maintain throughout his career.
I got a chance to see Romero in London at the UK premiere of Land of the Dead in 2005 and it was a huge thrill. I still feel that film has never got its due recognition and was ahead of its time with its focus on growing inequality and social divides in the 21st century. He brought humour, satire, thought provoking social commentary and a sharp and distinctive eye for human frailties to his films. Discovering his output in the early years of my cinephilia was a huge deal for me and more than any other filmmaker made me aware of the vast possibilities of Horror cinema. I really felt like I'd found a kindred spirit through his work.
A fearless maverick, an undisputed icon and a true inspiration. Thank you George Romero for the incredible body of work and the indelible impression it has left on me and countless other filmgoers.
R.I.P. George A. Romero (1940-2017)