Wednesday, 28 December 2016

Top 10 Films of 2016

My Top 10 Films of 2016

1. Harmonium (Koji Fukada)
2. Silence (Martin Scorsese)*

3. Things to Come (Mia Hansen-Love)
4. Creepy (Kiyoshi Kurosawa)
5. The Nice Guys (Shane Black)

6. A Silent Voice (Naoko Yamada)

7. Certain Women (Kelly Reichardt)

8. The Handmaiden (Park Chan-wook)

9. Cafe Society (Woody Allen)

10. The Unknown Girl (Jean-Pierre Dardenne & Luc Dardenne)

Runners up:
Love & Friendship (Whit Stillman)

Paterson (Jim Jarmusch)

Sully (Clint Eastwood)

Your Name (Makoto Shinkai)

The Red Turtle (Michael Dudok de Wit)

Batman: The Killing Joke (Sam Liu)

Batman v Superman: Dawn of Justice (Zack Snyder)

Allied (Robert Zemeckis)

Wiener-Dog (Todd Solondz)

Justin Timberlake + The Tennessee Kids (Jonathan Demme)

Mike Nichols: An American Master (Elaine May)

Piper (Alan Barillaro)

Blood Father (Jean-Francois Richet)

Standout performances:
Isabelle Huppert in Things to Come
Mariko Tsutsui, Tadanobu Asano & Kanji Furutachi in Harmonium
Adele Haenel in The Unknown Girl
Michael Shannon in Nocturnal Animals
Yun Lin in The Mermaid 
Emma Suarez & Adriana Ugarte in Julieta
Morfydd Clark & Tom Bennett in Love & Friendship
Marion Cotillard in Allied
Ryan Gosling in The Nice Guys
Michelle Williams, Kristen Stewart & Lily Gladstone in Certain Women
Trine Dyrholm in The Commune

Notable films from 2015 that I saw for the first time this year:
No Home Movie, Journey to the Shore, Knight of Cups, Evolution, Creed, Cemetery of SplendourExperimenterApril and the Extraordinary World, A Century of Energy, Ingrid Bergman: In Her Own Words

Films from 2016 that I'm still eager to watch:
Elle, Voyage of Time, Three, Crisis in Six Scenes, Personal Shopper, After the Storm, Shin Godzilla, Daguerreotype, Hacksaw RidgeManchester by the Sea, The Women Who Left, Being 17, The Death of Louis XIV, MoonlightA Quiet Passion, Mascots, Rules Don't Apply, Mobfathers, The Salesman, Safari, Frantz, My Beloved Bodyguard, Blue Velvet Revisited, Homo Sapiens, La La Land etc.

Films I'm looking forward to or just curious about in 2017:
Based on a True Story, The Other Side of Hope, Weightless, Wonderstruck, The Killing of a Sacred Deer, John Wick: Chapter Two, Resident Evil: The Final Chapter, The Shape of Water, Happy End, High Life, Okja, Alien: Covenant, Blade Runner 2049, The Commuter, Ready Player One, Baby Driver

Ken Adam, David Bowie, Tony Burton, Billy Chapin, Michael Cimino, Franco Citti, Leonard Cohen, Adrienne Corri, Raoul Coutard, Larry Drake, Keith Emerson, Carrie Fisher, Harry Fujiwara (aka Mr. Fuji), Guy Hamilton, Robin Hardy, Peter Hutton, George Kennedy, Abbas Kiarostami, Jon Polito, Debbie Reynolds, Alan Rickman, Jacques Rivette, Theresa Saldana, Douglas Slocombe, Peter Vaughan, Andrzej Wajda, Gene Wilder, Jason Wingreen, Vilmos Zsigmond, Andrzej Zulawski

Further Thoughts:
Whittling my favourites of the year down to a top 10 was no easy task and I'm still toying around with the order of the films listed. There was certainly no shortage of worthy runners up. I've delayed writing this for longer than I should have as I was holding out for late contenders. There have been popular favourites among critics in prior years but I can't recall one in recent memory that has polled as strongly in as many major publications as Toni Erdmann. The advance praise almost certainly effected my judgement of the film, which I liked, but not enough for it to qualify for my top 10 (or top 25 for that matter). I've cheated slightly by having two films share the tenth place spot. On reflection I may still be too conservative and reactionary in these kind of roundups.

Having largely been bored by or indifferent to the big releases I saw in 2016 it became clear that more than ever there’s a need for distinctive voices in film and this was what led me to several of my favourite titles of the year. Koji Fukada’s Harmonium was the great surprise of November’s Leeds film festival, an engrossing look at troubled pasts, hidden guilt and damaged lives. Another highlight of the festival was A Silent Voice, an absorbing animated teen drama that is both harsh and tender.

I've been aware of the output of writer-director Mia Hansen-Love for some time now but Things to Come is my first encounter with her work and it's certainly made me want to delve further in to her filmography. To my mind its lead actress Isabelle Huppert is surely the greatest screen performer of our time. I cannot think of any other actor/actress who has showed the versatility, longevity and hunger for challenging work that she has managed throughout her remarkable career. Still on top of her game with 3 acclaimed releases this year alone she deserves every bit of praise that has come her way.

Shane Black wonderfully combined private detective stories and buddy comedies with The Nice Guys, a witty and hugely entertaining movie that deserved to find a much bigger audience.

Several decades into their respective careers, two long standing heroes of mine produced solid efforts (Clint Eastwood’s Sully and Woody Allen’s Cafe Society) that may seem like minor diversions at first but are actually highly charged and playful accomplishments of surprising depth. That they make it seem so effortless is part of their charm.

The Handmaiden was both wickedly funny and gleefully perverse. An intricately plotted, bizarre love story involving double cross and revenge that is unlike anything I've seen in recent memory. One to cherish.

With Certain Women Kelly Reichardt gave one of the best demonstrations I've yet encountered of how cinema can emulate the short stories format in a cohesive feature film. Something of a rare accomplishment. It also provided a fine showcase for several actresses who worked wonders with their respective roles.

After years of indifferent and unworthy assignments Martin Scorsese has finally been able to deliver his long delayed dream project Silence, a searing rumination on faith and doubt. Many modern viewers seem to be skeptical about spiritual aspects in films, notably in responses I've read to Terrence Malick's recent output, but I'm glad that there are still those who will embrace this sort of work. I'm still processing my thoughts on Silence but my overall impression is that it's a beautiful, challenging and courageous work.

The Unknown Girl was a timely view of how individuals subtly impact the lives of others by action or inaction. That it chose to affirm how people can make a difference gave it a real urgency that complemented the previous Dardennes' effort Two Days, One Night.  

Paterson felt like a perfect tonic in a year where cynicism, despair and hate seemed to be everywhere. My misgivings almost seem irrelevant next to its beguiling celebration of modest lives, routines, hobbies and small joys. Unfortunately I saw it in less than ideal surroundings. In a film where language plays such a crucial role I wasn’t able to make out some of the dialogue due to the bad acoustics of the venue where it was showing. A second viewing (with better audio quality) may elevate this to a top 10 spot.

Special thanks should go out to Eureka for bringing solace to Kiyoshi Kurosawa fans like myself. Much to my chagrin a lot of the work of one of my favourite filmmakers has been difficult to come by for some time. It was to my great delight this year when his two most recent efforts got UK distribution on the Masters of Cinema label. A DVD release of 2015's extraordinary Journey to the Shore was followed by UK festival screenings of this year's startling suspense thriller Creepy. It would be fantastic if these are to be followed by further releases from Kurosawa's output in the near future but I'm more than grateful for now that these two were able to reach UK audiences.

Special mention should also go to RedLetterMedia's review of The Force Awakens, :: kogonada's sublime video essay Godard in Fragments and Adam Curtis's exhausting and exhilarating documentary HyperNormalisation

These were all part of the noticeable change in my viewing habits in 2016. Much more than in previous years I found myself viewing films online, struggling at times to get the right balance between viewing cinematic offerings from the past and keeping up to date with current fare. In spite of that I did set a personal record in 2016, somehow managing to do over 60 cinema trips in twelve months. I hope that enthusiasm carries over in to 2017 and beyond.

Recommended 'Films of 2016' links:
Kermode uncut
Reverse Shot

*Note: Silence was released in the UK on 1st January 2017. I chose to revise this list shortly after seeing it. 

No comments:

Post a Comment